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It was clear he had a singular vision of how he wanted his movie to look.

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How did you get the opportunity to shoot Motherless Brooklyn.

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As an actor, he has an instinctive relationship with the camera and when he was performing, you could sense him feeling the placement of the cameras and making the best use of angles, not just for him, but for everyone in front of the lens.

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He wanted the patina of old cinema but without feeling like it had a treatment. So when I wrapped in sun-baked Africa, I headed straight to the winter-depths of Manhattan to commence prep.

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